García Márquez stated in 1969: "My most important problem was to destroy the line of demarcation that separates what seems real from what seems fantastic. Because in the world that I was trying to evoke, that barrier didn't exist." The "Pan" (for Greek flute), aka 'Rosetta Stone', images explore language, including Egyption, Greek/Pan/music, the human Genome/our context, music/hearing and color/vision unified by the themes of history, evolution and the Rosetta Stone set on the human landscape.
GarcÃa Márquez stated in 1969: "My most important problem was to destroy the line of demarcation that separates what seems real from what seems fantastic. Because in the world that I was trying to evoke, that barrier didn't exist."
The "Pan" (for Greek flute), aka 'Rosetta Stone', images explore language, including Egyption, Greek/Pan/music, the human Genome/our context, music/hearing and color/vision unified by the themes of history, evolution and the Rosetta Stone set on the human landscape.