If you get married again, will you still love me?


  • Photographer
    Sharon Boothroyd
  • Prize
    Honorable Mention
  • Company/Studios
    Sharon Boothroyd
  • Date of Photograph
    June 2010
  • Technical Info
    Medium format c-type prints

These photographic tableaux are based on words spoken to separated fathers by their children. After gathering the memories, Boothroyd produced visual representations of these phrases, drawing on emotions the child may have been dealing with at the time. The highly fabricated images incorporate elements of fantasy in their precise construction, settings and use of actors. By exaggerating conventional locations into filmic versions of themselves, the artifice of the photograph is highlighted. The manufactured scenes challenge the accuracy of selective memory by questioning the truth behind the images. The images, which operate like film stills, give access to private and intimate moments held within the tension of the public space. Rather than alluding to utopian dreams, these photographs portray common relational struggles with disappointment, anger, over-compensation and jealousy.

Story

These photographic tableaux are based on words spoken to separated fathers by their children. After gathering the memories, Boothroyd produced visual representations of these phrases, drawing on emotions the child may have been dealing with at the time.

The highly fabricated images incorporate elements of fantasy in their precise construction, settings and use of actors. By exaggerating conventional locations into filmic versions of themselves, the artifice of the photograph is highlighted. The manufactured scenes challenge the accuracy of selective memory by questioning the truth behind the images.

The images, which operate like film stills, give access to private and intimate moments held within the tension of the public space. Rather than alluding to utopian dreams, these photographs portray common relational struggles with disappointment, anger, over-compensation and jealousy.

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