The reflection about man’s relationship with his environment is expressed in the IBERIAN’S project, in which the author contrasts megalithic prehistoric monuments with 21st century constructive interventions and exploitations of resources. The atmospheres share that patina of transience with which all Mario De Baro’s shots are bathed, either visually or symbolically. Each landscape condenses two moments or stages, day and night, which mutually nourish each other “until, finally, due to a miraculous act of «will», they appear coupled together.
