There are certain negative behaviors deeply rooted in society that we have been dragging for centuries with no variations. This series, inspired by the Flemish painting's aesthetics, is a reflection on moral decay and a social criticism focused on the most powerful classes of society. There's a wide documentation behind Moral Morphology in order to translate the Flemish aesthetics into photography and be able to convey permanence in time. We worked very intensely on the make up. Avoiding postproduction on actor's faces somehow gave me a more romantic and consistent approach to the traditional and pictorial aspect of the project.