This work explores the idea that notions of beauty and our understanding of landscape are constructed, and in doing so they subvert the notion of beauty as truth, and reference wider issues of authenticity within photography. The intention is to request a more personal response to the landscape, an experience embedded in memory, history, storytelling and folk law to engage the viewer in a dialogue with the image and in a sense of the familiar, drawing on an awareness of cultural fictions which persist in spite of any conscious knowledge about the material, social or political status of landscapes, to create ‘rural myth’ and romanticism, obscuring an understanding of the land as threatened and exploited, dangerous and unknown.
