...Those serene landscapes, in which anonymous characters move and therefore unidentifiable, hide the subtle mystery that drifts not so much in the places as in the same ambit of the photographic medium. We live in a world where physical boundaries have expanded but within them very different conceptions and sensations cohabit, like the culture from which they are originated. It’s therefore inevitable that the photo will end up dealing with ambiguity and relativism in order to accept them not as limitations but as valuable tools of critical inquiry to investigate on its ability to observe and then resume reality.Guadagnoli addresses the problem immerging himself fully in the presentation but using it with a critical detachment deliberately alienating.
