The title “Intervened Landscapes” first indicates the physical intrusion of the facilities into natural landscape that always seems to be an eyesore but somehow accepted and forgotten by people. But more importantly, it also means some kind of invisible intervention that obscures our minds towards the whole energy industry, which can be government control and high-level security, or contribution to communities such as local developments that all have friendly-looking slogans. By putting color pallets in front of the lens and blocking the facilities in the frames, I wanted to imply people’s view intervened by the industry’s closedness and the forceful friendliness.