An ode to the Dadaists and Bauhausian artists of the 20th century, The Dadabyte Theater explores the relationship between body and technology within a cyberspace of mixed timeline. Using the studio as a stage for this in-camera autoportrait work, I aim to reflect a theatricalization of the ‘real’, an attempt to find balanced modes of [being] in a hyper-connected, ever increasing, mechanical society dominated by technology. By using products of industry, I aim to illustrate the constraints these new technologies present and chose to explore my own agency and autonomy through this work.