An attempt to overcome the system perspective of photography. Working with the camera as a collector of information, like an overlay to the wall above which rub with pencil to bring up the texture, shape and colors (in this case) of what's underneath. Try to see an almost in a tactile way, letting slip the view over the wall. Some images, therefore, trying not to "re-present" but "present", is not show the picture as a window into another reality, but as a new independent and self-sufficient object, as a new element where the look does not go through but stuck to it.
