Found Footage


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  • Biography
    A self-taught photographer and film-maker, I have always strived to celebrate both the moving and the still image in my visual expressions. My film-making activities have included four short films (and some commissioned films) made for Filmaka.com. My photography has featured in promotional material for the Swiss Arts Council's India office. Since 2010, I have won over 30 honors at the International Photography Awards (IPA), the Prix de la Photographie Paris Awards (PX3) and the Photography Masters Cup. www.nyaybhushan.com
  • Awards
    I See You Fine Art-Other_FA Non-Professional IPA 2010 Tangled Special-Moving Images Professional IPA 2011 The Unmoving Center Special-Moving Images Professional IPA 2011 The Unmoving Center Fine Art-Abstract Professional IPA 2011 The Unmoving Center Fine Art-Abstract Professional IPA 2011 The Unmoving Center Fine Art-Other_FA Professional IPA 2011 T3 to the Future Special-Moving Images Professional IPA 2011 T3 to the Future Architecture-Interiors Professional IPA 2011 Anil Kapoor Editorial-Personality Professional IPA 2012 Toons to the Future Editorial-Other_ED Professional IPA 2012 Toons to the Future People-Other_P Professional IPA 2012 F1 to the Future Editorial-Other_ED Professional IPA 2012 F1 to the Future Deeper Perspective-Deeper Perspective Professional IPA 2012 Lady Gaga's Delhi Durbar Fine Art-Portrait Professional IPA 2012 Tripping the Light Fantastic Fine Art-Abstract Professional IPA 2012 ...Because They Take Themselves Lightly Fine Art-Other_FA Professional IPA 2013 E-2 the Future Deeper Perspective-Deeper Perspective Professional IPA 2013 Ethereal Special-Other_S Professional IPA 2014 Found Footage Deeper Perspective-Deeper Perspective Professional IPA 2014

Story

The magic of cinema is fading.... literally. In existence for over a century since the first moving images mesmerized the world, the film format is now being replaced with digital systems – both for shooting and projection. The digital revolution has also swept India where cinemas are fast replacing 35mm projection with digital systems. As a result, film labs are shutting down in the face of harsh financial realities. 2014 is considered the year when 35mm film prints and projection systems will most likely disappear completely across the world, save for some antiquarian appeal for the medium.
I set out to document the last days of 35mm film in a country which is home to the biggest film industry in the world (in terms of volume). My journey took me to projection rooms and derelict cinemas while in Old Delhi's Chandni Chowk film distributors district, the manual transportation of prints (in decaying film cans) to old cinemas still running 35mm projectors offered a historic closure to a fading legacy: not the first time the ancient alleys of Old Delhi have witnessed the end of an era, from the Mughal Empire to British colonialism.
Film reels being shredded to scrap, rusty film cans, unspooled footage lying in a dusty heap, the flickering light of a projector as it runs its final round: these are images of a transition in time. The spool of life at 24 frames per second.

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