I-Chan Park In contemporary photography, the “making photo” staged within a kitchen is interpreted as a visual experiment that reimagines our perception of time and the everyday. The placement of eggs and chickens throughout the kitchen transforms a familiar space into something strange, turning an ordinary setting into a symbolic and narrative device. Particularly, the hyper-real sharpness of these still frames heightens the sensation of “frozen time.” In this state, photography functions as a window that allows us to reexamine the hidden meanings of objects and scenes we have long overlooked. Within this motionless kitchen, the eggs and chickens cease to be mere elements of daily life; instead, they take on an almost dreamlike stillness, creating an uncanny tension suspended between reality and imagination. This frozen tableau becomes a rediscovery of the everyday. Objects separated from the flow of time reveal a renewed presence, inviting viewers to dwell on their details and the subtle relationships they hold. This act of prolonged looking reflects one of photography’s fundamental functions: its ability to compel us to linger upon what we might otherwise pass by. Within this halted moment, the chickens and eggs transcend their ordinary roles, transforming into metaphors for cycles and origins. In doing so, the kitchen—once a mundane space—emerges as a symbolic stage of life and time. Here, viewers experience the intersection of reality and
While this self-portrait may initially come across as quirky and humorous, it also carries a deeper commentary on the hierarchy of social status within society.