This project explores Bangkok’s kinetic chaos through temporal reconstruction. Expanding beyond a single captured instant, I collect visual fragments—neon lights, traffic, human gestures—and meticulously layer them. Recomposed months later, subjective memory replaces objective documentation. Overlapping exposures translate the city's deafening noise and relentless motion into a dense visual texture. Subjects merge seamlessly with their environment within a vibrating matrix. It is an atmospheric narrative that visualises the passage of time, turning sensory overload into a tangible memory.
