In PREMATURE, the aesthetic power of the artist's original klecksography paintings is enhanced through the mean of photography. The union between these two different media creates an outcome that immortalizes the freshness of each painting and enhances its details, making the photography of the artwork the final piece that stands on its own. The decontextualization of the painting's photo is the main innovation compared to the past. The original painting serves only as a matrix to be augmented by the mean of photography, which leads to its photo print, intended as the definitive piece of art.
