The first time I came across a widelux camera was in high school. We’d been gathered together to have our class photo taken. The photographer had a Widelux. Some kids figured if they ran quickly, they’d beat the panning lens and be in the picture twice. They were right. Years later, I started using this technique to take pictures of actors creating the theatrical masks of Tragedy and Comedy. The result was someone frowning and smiling, all on one negative. It’s almost as if the camera has peripheral vision: registering multiple stories within a single frame.