In this series, the symbol of arbitrariness in its real function of imposing connotativeness of the visual is exposed in the functional image of clear lines or borders, which, with regard to the viewpoint, repeatedly give each element of the photographs, even if in reprise, a new, but at all times solid time-meaning-sense. The constellation of each sequence always displaces another view, exposing the pursuit of totalitarian primacy of arbitrariness of the current view, and revealingly also the blind faith of the postmodernism decomposing in front of our eyes.
